SMALL graffiti PSYCHOLOGY: couplets HASAN ASPAHANI
By: Ganz Pecandukata (A. Ganjar S.) *
First
NIVEAU HERMENEUO BEHIND IN AN HASAN ASPAHANI couplets (AN EXPERIMENT IN THE ANALYSIS NIVEAU J. ELLEMA hermeneutics POETRY)
About Niveau
The poems have been written and published in fact offers a variety of insights to the reader, where the soul-face expression of the poem is read as if to say something deeper and sharper on how to look at life. The presence of psychological poetry dipanadang create levels of psychological phenomena such likat, words dilekak-bend with so lovely by the author who is the creator of the soul in the poem. In tracing the existence of the soul, it has its own level which serves as a kind of "awl" in the imagery of poetry. Poetry and psychosis is like a coin. Therefore, I will try to analyze the psychological levels where each level has a different power sensitive. In more detail, the existence of the soul saving elements emotional stress, konasi and cognition that can not be known exactly would an understanding of each element in the soul body. J. Ellema in Petica (Noor, 2005:45) states that the human soul consists of five levels. Each work has a psychological levels with sequences such as inorganic niveau, niveau vegetative, animal niveau, niveau human, religious niveau. Niveau inorganic refers to the presence of works that bring the interpretation attached to the game sound and stilistika (branch of linguistics that studies in various languages). Niveau vegetative skewed in naturalized range of poetry that have relevance to the age of poetry and its author. Niveau animal is instinctive condition or impulses at the instigation of the authors write. Niveau human contain such conditions morality discourse addressed to the reader. Niveau regarding religious prophetic poems or the extent of approaching poetry tintkat depth interpretation of religion. On this occasion, will be tested how genetics in a poem called couplets hermeneutics works Hasan Aspahani a poet and expert pelekuk famous words. In this first part, I will discuss the "couplets - the First Article."
Hermeneutics of "Mind A couplets"
Hermeneutics is an expression of one's thoughts are channeled through the words. Hermeneutics can also be regarded as a pemahan interpretation effort, a search for insight. Changing something that is relatively absurd on the explanation that "go-Awami". The poem, entitled couplets are excerpts from one sub-chapter, held in a way the articles. Hermeneutics emerged from spark the idea that man can not liberate themselves from the basic tendency to give meaning. A philosopher Paul Ricoeur, stating that life itself is an interpretation. Couplets article first appeared relevant to the concept of autonomy of the text. There are thoughts that want diungkapakn about a cultural situation of moderate and procurement text. The following excerpt is trying to unveil these thoughts:
"If you're forced to also write poems,
word indeed arrived, but the meaning is much contrast.
Do not teach sajakmu say lies,
because your mouth will be silenced for words.
Let sajakmu denounced dinista abused,
because of abuse just a jealous word blind.
Where do you store the best poem?
in the liver, then let the words say adieu. "
(Source: 60 Best Indonesian Poetry 2010, couplets, p.26-27)
"Rekonstekstualisasi" occurs when the excerpt as excerpts from "couplets - Article The First" launched the interpretive power that tries to "break away" from the horizon of the author's intentions toward the social-cultural level. "If you're forced to write poetry / word indeed arrived, but the meaning is much in contrast." There are symbols that reflect on the sentence. How excavations want to be a pressure of meaning in writing is one attempt to as the fruit of interpretation by the reader. Horizon intention to culture-social poet began to break away when he was at the temple "where you saved the best poem? / At heart, then let the words say adieu." Readers are invited to think on the basis of the so-called reflexive Ricoeur as a mode of being [3 ]. Results of these words is also a combination of direct self antarasifat poet in the corner of the desert and its social-cultural setting. On the other hand, this poem could have such a designation menulisakan hermeneutical circle that shows a creative and progressive dynamics of interpretation of subsequent chapters. In short thought "couplets - Article The First" is like Agara readers learn to participate in the process kepenyairan. Of how looking at life writing a poem is part of what Ricoeur called the hermeneutics of various sorts with "the struggle against cultural distansi." With the sense that the interpreter must follow at a distance so they can establish with more in-depth interpretation and wise without neglecting the subjective message.
Execution-Niveau Niveau in the First Article - Reflections
Niveau inorganic depart from the premise that future work might be read in front of the stage or just read the back room. Pattern, sound, rhythm, rhyme lines, sentences, and style shown in these poems incarnation. Feel the words at the end of the sentence which reads as "... a poem-... contrary", "... lies, ... the words," "... ... dinista-blind", "... the best-... hallo". Note also korelativitas sentence with other sentences. Careful consideration as the selection of diction, a factor that vanished poetic soul creation will the objects or structures of this death. Surely that would not be dead forever dead with a ruh aesthetics and socio-cultural hermeneutics that circulated in every meaning of the subjective will empativitas level readers.
Niveau vegetative in the levels stand in this poem can be said to least significance. Relations between imitation process works with the existence of this poem is relatively negative. This is influenced by the age factor and menyair poet, how to be a point of departure flight hours in niveau vegetative assessment. And most importantly the release of meaning for distorted in the telling metaphors and who controls what. Moreover, the attachment of unconsciousness mind has been unavoidable in the process of birth of these poems.
"Have a poem asking for more from him?
said said: ah whatever, I just said ... "
Through poetry piece, I admit that this word is so cunning pelekuk mendistrosikan a condition that became instinct niveau animal images. Animal Expressions poet fully damped clandestinely behind this poem.
Ngguruni, it's one piece of image that disappeared in the following poem:
"Do not teach sajakmu say lies,
because your mouth will be silenced for words. "
Inevitably, human niveau appear in a similar cathartic piece of poetry on top. Morality. Attention to the technique of "all-round blade."
Couplets in Malay literature is one example of literary works that contain viscosity niveau religious. Namuan, whether the "Article the First" really grow as religus definition of diversity? This seems to belong only imanenitas and transendenitas between the reader with his Lord.
On the basis of the fifth niveau binoculars above, the success of hermeneutics between these poems function and assessment of readers have been conveyed through genetic interpretation sufficient or not for their rationality. Genetics that are then slowly fruitful question: the extent to which this work is really original is considered psychologically separated from the clot influence outside the text?
Second
HASAN couplets ASPAHANI CHAIN STRUCTURE IN MENTAL marker-marker (AN EXPERIMENT BASED ON ANALYSIS OF PSYCHOLOGICAL CONCEPTS Saussure's semiotics and Strauss)
Signified-signifier
Man is homo semioticus, said an expert semiotic Art van Zoest. Which according to van Zoest if kekeuasaan it quiet, do not give a sign, then the man himself will proclaim something, anything, as a sign. Because, it has been able to be done by humans. Etymologically, the term semiotics comes from the Greek "semeion", means the mark. Linguist Ferdinand de Saussure, a Swiss national, a semiotic referenced as an inventor trying to develop complete theses van Zoest. Saussure purify idea tan da division into sound and image as a state that will be clearer when referring to the concept as a marker (the signified) and sound or image as a marker (the signifier). The poem contains elements of semiotic so thick. Every word and punctuation mark has a role, both as a marker or markers. Poetry offers a kind of proclamation of power to the reader that the text is expected to bring readers the independence interpretation sign of each soul. In this second part, I try to review the work of Hasan's poem titled couplets Aspahani based semiotic psychology glasses [4]. (In part II, only discussed the poem "The Fourth Article couplets" as a sample in discussing the theme of this essay)
Structure Signs: arbitrary Soul "couplets Article of the Fourth"
"Do not ask the meaning of a poem on the poet, in vain. Who knows the poet was insane, until the meaning is up to the reader. "A spontaneous expression of an author of the book Research Methods in Psychology Literature, Suwardi Endraswara is enough to give the lattice to the reader. Lattice about how to express a poem that is read. It also depends on the level of reflection of each reader. Saussure in elaborating on semiotics, stressing that kesemenaan sign is the main principle. This is what came to be known as the term "arbitrary". Furthermore, this arbitrary itself has a psychological background that is to mengkatarsiskan soul through words. In other words, the release of the signs of meaning to be tied in the eyes of readers who come on the encouragement psychological expression of the writer's own poetry. Even with the following poem:
Article the Fourth couplets:
Which word, meaning Mana
Why are you afraid of missing traces in the poem,
not the essence of the poem is far track?
Why are you afraid sajakmu run out of words,
not the nature of rhyme is a word created?
Why are you jejali words rhyme, you overload a meaning?
it allows words rhyme, expanded the meaning of
The poem begins to speak, you say millions of words,
why is not any rhyme sebait want you to copyright?
(Source: 60 Best Indonesian Poetry, 2009, hal.30)
Poetry on a unique circuit classified as part of the body of poetry that was formed to meet the needs of creating meaning through signs. Here, the sign was structured with each objective. Which is then related to the author's mental structure itself. The following two lines have a close relevance with how to read the structure of the semotika and psychological:
Why are you afraid of missing traces in the poem,
not the essence of the poem is far track?
Why are you afraid sajakmu run out of words,
not the nature of rhyme is a word created?
Question words "why" being hailed to strengthen the structure thereafter. The subject ("you") who then stays on for intentionally not deleted. This is a sign of representation through marker-"question words", markers - "why". Occurrences of the word is credited for the creation of such a structure is pure, and when associated with Claude Levi-Strauss's structuralism (a psychologist struturalisme) then there is a regularity of the relationship between language and myths attached to the sign-word in the poem. There is a kind soul who charge pengkailan adapt to the meaning of the author alone. The author tried to uncover the meaning of it raw by sharp questions like "is not the essence of the poem is a word created?" That the reader will show respect multiinterpretatif explicitly or it will be another issue, the important thing here is "fair understanding" emerges through a small space- poetry as a projection of the meaning of writers to readers. This understanding will then be released by itself according to the subjectivity of the reader. Subjectivity in the interpretive freedom out of existence without any signs of the structure of words in the poem. Thus, arbitration can be met as the reader above verse poetry attempt menggemburkan reader ideas that have been entered in pengkailan meaning of the author. And sign structures, as related to the kind of neurotic symptoms to the author's own against the size of the myth that living and working in the world of soul.
Myth Katarsisme Strauss Blocking Meaning Poems
Release of emotion towards the end of this rhyme still and continue to struggle on how neurotic symptoms and talent of the writer lifted the departure of facts. Facts in the middle of the basic myths that tersembunyikan scattered by the arbitration step. Kearbitreran myth was later more clearly to be found in the hiding meaning in bailik sign and word-reading the following verse:
Why are you jejali words rhyme, you overload a meaning?
it allows words rhyme, expanded the meaning of
Language seemed to want to ring the temple are aspects of the so-called Levi-Strauss as langue myth. Demonstrated in-depth interaction between myth with meaning poetry itself. The first line in the temple of the transformation of facts poured into the meaning and even relay messages. "... You jejali word", "you overload a meaning", both sets of words such as will haunt readers how to recognize a poem full of words but do not always have the light of meaning. The existence of a mix of harmonization diction is also shown in the temple until it can be said readers want diletupkan emotional meaning through a katarsisme myth of the poet. Similarly, if correlated with Strauss be noted that in the structure of poetry and the meaning contained in it there is the writer's creation myth structure. How does the structure of myth is to banned? Temple has berkatarsis by itself block the meaning: ".... Extend the meaning of"
Soul Poet: Really Living Embryos
The poem begins to speak, you say millions of words,
why is not any rhyme sebait want you to copyright?
The fourth stanza then went to create the marker-marker cone emotions on the question structure. Where there is placement so that the reader also tinkering with the answer to the puzzle of a marker that is "poetry" and sign the "word" in the context of this poem. Through passage of this temple, there are fetters binding experiments that seemed chained reader. Up through the exit tunnel creation answer any interpretation, the structure of the soul which can neatly neatness ransacked itself with the dynamics penyuguhan rhymes disciplined. This departs from the form of emotional processing in the myth of authorship and embryo born alive in the reader's mind to get out of her womb and named the baby as a reflection of the poem. Reflection is more alive without keeping the flame semiotic marker-marker with the axis of the myth of the poet's soul.
By: Ganz Pecandukata (A. Ganjar S.) *
First
NIVEAU HERMENEUO BEHIND IN AN HASAN ASPAHANI couplets (AN EXPERIMENT IN THE ANALYSIS NIVEAU J. ELLEMA hermeneutics POETRY)
About Niveau
The poems have been written and published in fact offers a variety of insights to the reader, where the soul-face expression of the poem is read as if to say something deeper and sharper on how to look at life. The presence of psychological poetry dipanadang create levels of psychological phenomena such likat, words dilekak-bend with so lovely by the author who is the creator of the soul in the poem. In tracing the existence of the soul, it has its own level which serves as a kind of "awl" in the imagery of poetry. Poetry and psychosis is like a coin. Therefore, I will try to analyze the psychological levels where each level has a different power sensitive. In more detail, the existence of the soul saving elements emotional stress, konasi and cognition that can not be known exactly would an understanding of each element in the soul body. J. Ellema in Petica (Noor, 2005:45) states that the human soul consists of five levels. Each work has a psychological levels with sequences such as inorganic niveau, niveau vegetative, animal niveau, niveau human, religious niveau. Niveau inorganic refers to the presence of works that bring the interpretation attached to the game sound and stilistika (branch of linguistics that studies in various languages). Niveau vegetative skewed in naturalized range of poetry that have relevance to the age of poetry and its author. Niveau animal is instinctive condition or impulses at the instigation of the authors write. Niveau human contain such conditions morality discourse addressed to the reader. Niveau regarding religious prophetic poems or the extent of approaching poetry tintkat depth interpretation of religion. On this occasion, will be tested how genetics in a poem called couplets hermeneutics works Hasan Aspahani a poet and expert pelekuk famous words. In this first part, I will discuss the "couplets - the First Article."
Hermeneutics of "Mind A couplets"
Hermeneutics is an expression of one's thoughts are channeled through the words. Hermeneutics can also be regarded as a pemahan interpretation effort, a search for insight. Changing something that is relatively absurd on the explanation that "go-Awami". The poem, entitled couplets are excerpts from one sub-chapter, held in a way the articles. Hermeneutics emerged from spark the idea that man can not liberate themselves from the basic tendency to give meaning. A philosopher Paul Ricoeur, stating that life itself is an interpretation. Couplets article first appeared relevant to the concept of autonomy of the text. There are thoughts that want diungkapakn about a cultural situation of moderate and procurement text. The following excerpt is trying to unveil these thoughts:
"If you're forced to also write poems,
word indeed arrived, but the meaning is much contrast.
Do not teach sajakmu say lies,
because your mouth will be silenced for words.
Let sajakmu denounced dinista abused,
because of abuse just a jealous word blind.
Where do you store the best poem?
in the liver, then let the words say adieu. "
(Source: 60 Best Indonesian Poetry 2010, couplets, p.26-27)
"Rekonstekstualisasi" occurs when the excerpt as excerpts from "couplets - Article The First" launched the interpretive power that tries to "break away" from the horizon of the author's intentions toward the social-cultural level. "If you're forced to write poetry / word indeed arrived, but the meaning is much in contrast." There are symbols that reflect on the sentence. How excavations want to be a pressure of meaning in writing is one attempt to as the fruit of interpretation by the reader. Horizon intention to culture-social poet began to break away when he was at the temple "where you saved the best poem? / At heart, then let the words say adieu." Readers are invited to think on the basis of the so-called reflexive Ricoeur as a mode of being [3 ]. Results of these words is also a combination of direct self antarasifat poet in the corner of the desert and its social-cultural setting. On the other hand, this poem could have such a designation menulisakan hermeneutical circle that shows a creative and progressive dynamics of interpretation of subsequent chapters. In short thought "couplets - Article The First" is like Agara readers learn to participate in the process kepenyairan. Of how looking at life writing a poem is part of what Ricoeur called the hermeneutics of various sorts with "the struggle against cultural distansi." With the sense that the interpreter must follow at a distance so they can establish with more in-depth interpretation and wise without neglecting the subjective message.
Execution-Niveau Niveau in the First Article - Reflections
Niveau inorganic depart from the premise that future work might be read in front of the stage or just read the back room. Pattern, sound, rhythm, rhyme lines, sentences, and style shown in these poems incarnation. Feel the words at the end of the sentence which reads as "... a poem-... contrary", "... lies, ... the words," "... ... dinista-blind", "... the best-... hallo". Note also korelativitas sentence with other sentences. Careful consideration as the selection of diction, a factor that vanished poetic soul creation will the objects or structures of this death. Surely that would not be dead forever dead with a ruh aesthetics and socio-cultural hermeneutics that circulated in every meaning of the subjective will empativitas level readers.
Niveau vegetative in the levels stand in this poem can be said to least significance. Relations between imitation process works with the existence of this poem is relatively negative. This is influenced by the age factor and menyair poet, how to be a point of departure flight hours in niveau vegetative assessment. And most importantly the release of meaning for distorted in the telling metaphors and who controls what. Moreover, the attachment of unconsciousness mind has been unavoidable in the process of birth of these poems.
"Have a poem asking for more from him?
said said: ah whatever, I just said ... "
Through poetry piece, I admit that this word is so cunning pelekuk mendistrosikan a condition that became instinct niveau animal images. Animal Expressions poet fully damped clandestinely behind this poem.
Ngguruni, it's one piece of image that disappeared in the following poem:
"Do not teach sajakmu say lies,
because your mouth will be silenced for words. "
Inevitably, human niveau appear in a similar cathartic piece of poetry on top. Morality. Attention to the technique of "all-round blade."
Couplets in Malay literature is one example of literary works that contain viscosity niveau religious. Namuan, whether the "Article the First" really grow as religus definition of diversity? This seems to belong only imanenitas and transendenitas between the reader with his Lord.
On the basis of the fifth niveau binoculars above, the success of hermeneutics between these poems function and assessment of readers have been conveyed through genetic interpretation sufficient or not for their rationality. Genetics that are then slowly fruitful question: the extent to which this work is really original is considered psychologically separated from the clot influence outside the text?
Second
HASAN couplets ASPAHANI CHAIN STRUCTURE IN MENTAL marker-marker (AN EXPERIMENT BASED ON ANALYSIS OF PSYCHOLOGICAL CONCEPTS Saussure's semiotics and Strauss)
Signified-signifier
Man is homo semioticus, said an expert semiotic Art van Zoest. Which according to van Zoest if kekeuasaan it quiet, do not give a sign, then the man himself will proclaim something, anything, as a sign. Because, it has been able to be done by humans. Etymologically, the term semiotics comes from the Greek "semeion", means the mark. Linguist Ferdinand de Saussure, a Swiss national, a semiotic referenced as an inventor trying to develop complete theses van Zoest. Saussure purify idea tan da division into sound and image as a state that will be clearer when referring to the concept as a marker (the signified) and sound or image as a marker (the signifier). The poem contains elements of semiotic so thick. Every word and punctuation mark has a role, both as a marker or markers. Poetry offers a kind of proclamation of power to the reader that the text is expected to bring readers the independence interpretation sign of each soul. In this second part, I try to review the work of Hasan's poem titled couplets Aspahani based semiotic psychology glasses [4]. (In part II, only discussed the poem "The Fourth Article couplets" as a sample in discussing the theme of this essay)
Structure Signs: arbitrary Soul "couplets Article of the Fourth"
"Do not ask the meaning of a poem on the poet, in vain. Who knows the poet was insane, until the meaning is up to the reader. "A spontaneous expression of an author of the book Research Methods in Psychology Literature, Suwardi Endraswara is enough to give the lattice to the reader. Lattice about how to express a poem that is read. It also depends on the level of reflection of each reader. Saussure in elaborating on semiotics, stressing that kesemenaan sign is the main principle. This is what came to be known as the term "arbitrary". Furthermore, this arbitrary itself has a psychological background that is to mengkatarsiskan soul through words. In other words, the release of the signs of meaning to be tied in the eyes of readers who come on the encouragement psychological expression of the writer's own poetry. Even with the following poem:
Article the Fourth couplets:
Which word, meaning Mana
Why are you afraid of missing traces in the poem,
not the essence of the poem is far track?
Why are you afraid sajakmu run out of words,
not the nature of rhyme is a word created?
Why are you jejali words rhyme, you overload a meaning?
it allows words rhyme, expanded the meaning of
The poem begins to speak, you say millions of words,
why is not any rhyme sebait want you to copyright?
(Source: 60 Best Indonesian Poetry, 2009, hal.30)
Poetry on a unique circuit classified as part of the body of poetry that was formed to meet the needs of creating meaning through signs. Here, the sign was structured with each objective. Which is then related to the author's mental structure itself. The following two lines have a close relevance with how to read the structure of the semotika and psychological:
Why are you afraid of missing traces in the poem,
not the essence of the poem is far track?
Why are you afraid sajakmu run out of words,
not the nature of rhyme is a word created?
Question words "why" being hailed to strengthen the structure thereafter. The subject ("you") who then stays on for intentionally not deleted. This is a sign of representation through marker-"question words", markers - "why". Occurrences of the word is credited for the creation of such a structure is pure, and when associated with Claude Levi-Strauss's structuralism (a psychologist struturalisme) then there is a regularity of the relationship between language and myths attached to the sign-word in the poem. There is a kind soul who charge pengkailan adapt to the meaning of the author alone. The author tried to uncover the meaning of it raw by sharp questions like "is not the essence of the poem is a word created?" That the reader will show respect multiinterpretatif explicitly or it will be another issue, the important thing here is "fair understanding" emerges through a small space- poetry as a projection of the meaning of writers to readers. This understanding will then be released by itself according to the subjectivity of the reader. Subjectivity in the interpretive freedom out of existence without any signs of the structure of words in the poem. Thus, arbitration can be met as the reader above verse poetry attempt menggemburkan reader ideas that have been entered in pengkailan meaning of the author. And sign structures, as related to the kind of neurotic symptoms to the author's own against the size of the myth that living and working in the world of soul.
Myth Katarsisme Strauss Blocking Meaning Poems
Release of emotion towards the end of this rhyme still and continue to struggle on how neurotic symptoms and talent of the writer lifted the departure of facts. Facts in the middle of the basic myths that tersembunyikan scattered by the arbitration step. Kearbitreran myth was later more clearly to be found in the hiding meaning in bailik sign and word-reading the following verse:
Why are you jejali words rhyme, you overload a meaning?
it allows words rhyme, expanded the meaning of
Language seemed to want to ring the temple are aspects of the so-called Levi-Strauss as langue myth. Demonstrated in-depth interaction between myth with meaning poetry itself. The first line in the temple of the transformation of facts poured into the meaning and even relay messages. "... You jejali word", "you overload a meaning", both sets of words such as will haunt readers how to recognize a poem full of words but do not always have the light of meaning. The existence of a mix of harmonization diction is also shown in the temple until it can be said readers want diletupkan emotional meaning through a katarsisme myth of the poet. Similarly, if correlated with Strauss be noted that in the structure of poetry and the meaning contained in it there is the writer's creation myth structure. How does the structure of myth is to banned? Temple has berkatarsis by itself block the meaning: ".... Extend the meaning of"
Soul Poet: Really Living Embryos
The poem begins to speak, you say millions of words,
why is not any rhyme sebait want you to copyright?
The fourth stanza then went to create the marker-marker cone emotions on the question structure. Where there is placement so that the reader also tinkering with the answer to the puzzle of a marker that is "poetry" and sign the "word" in the context of this poem. Through passage of this temple, there are fetters binding experiments that seemed chained reader. Up through the exit tunnel creation answer any interpretation, the structure of the soul which can neatly neatness ransacked itself with the dynamics penyuguhan rhymes disciplined. This departs from the form of emotional processing in the myth of authorship and embryo born alive in the reader's mind to get out of her womb and named the baby as a reflection of the poem. Reflection is more alive without keeping the flame semiotic marker-marker with the axis of the myth of the poet's soul.
No comments:
Post a Comment